Lorenzo Lotto, 1533 - Madonna ja laps kahe doonoriga - kujutav kunstitrükk

Toote selgitus

Selle maali maalis meesmaalija Lorenzo Lotto. This work of art is in the the The J. Paul Getty Museum's digital art collection. With courtesy of - The J. Paul Getty Museum (litsentsitud - üldkasutatav).Furthermore, the work of art has the creditline: . The alignment is landscape with a ratio of 4 : 3, which implies that pikkus on laiusest 33% pikem. Lorenzo Lotto was a male painter from Italy, whose art style can mainly be classified as High Renaissance. The Italian artist lived for 81 aastat, sündinud 1475 in Venice, Venezia province, Veneto, Italy and deceased in the year 1556 in Loreto, Ancona province, Marches, Italy.

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• Lõuendi print: A canvas direct print is a printed canvas mounted on a wood stretcher. Also, a canvas print makes a attractive and pleasing impression. A canvas print has the advantage of being relatively low in weight. That means, it is easy and straightforward to hang your Canvas print without the use of additional wall-mounts. Therefore, canvas prints are suited for all kinds of walls.
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• Trükitud akrüülklaas: A glossy acrylic glass print, which is often described as a plexiglass print, changes your selected original work of art into wonderful wall décor. In addition, it makes a distinct alternative to dibond and canvas fine art prints. Your own version of the work of art will be printed with the help of modern UV direct print machines. This has the impression of sharp and vivid colors. Our real glass coating protects your custom art replica against light and external influences for between 4 and six decades.

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(© autoriõigus - J. Paul Getty muuseumi poolt - J. Paul Getty muuseum)

Framed by richly draped fabric, the Virgin Mary tenderly sits Christ on her lap. The couple who commissioned the panel look up at the child, meeting his eyes as he rewards their piety with a blessing. As the symbol of Christ's resurrection, the fig branch growing behind the curtain also reassures the donors of their own redemption.

In the late 1400s, well-to-do families often commissioned such pictures for hanging in the home or the private chapel of a church. These panels served both as portraits and as testimonies to the donors' religious devotion.

Lorenzo Lotto emphasized the contrast between the earthly and the spiritual realms by using a highly naturalistic style for the couple and a more ideal, poetic rendering for the Virgin and child. With a flair for color betraying his Venetian origins, Lotto contrasted Mary's luminous blues and reds with the donors' more somber clothing.