John Singleton Copley, 1763 - proua Jerathmael Bowers - kujutava kunsti trükk

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In the year 1763 the painter John Singleton Copley painted the classic art artpiece "Mrs. Jerathmael Bowers". The original has the size: 49 7/8 x 39 3/4 tolli (126,7 x 101 cm). Õli lõuendil was applied by the North American artist as the technique for the piece of art. Besides, this piece of art is in the the digital art collection of Metropolitani kunstimuuseum, which is one of the world's largest and finest art museums, which includes more than two million works of art spanning five thousand years of world culture, from prehistory to the present and from every part of the globe.. With courtesy of: The Metropolitan Museum of Art, New York, Rogers Fund, 1915 (üldkasutatav litsents). Creditline of the artwork: Rogers Fund, 1915. Besides this, the alignment of the digital reproduction is in portree formaat suhtega 1: 1.2, mis tähendab seda pikkus on laiusest 20% lühem. The artist, painter John Singleton Copley was a North American artist, whose art style was primarily Romanticism. The American painter was born in the year 1738 Bostonis, Suffolki maakonnas, Massachusettsis, Ameerika Ühendriikides ja suri 77-aastaselt aastal 1815 Londonis, Suur-Londonis, Inglismaal, Ühendkuningriigis.

What does the website of the The Metropolitan Museum of Art write about this artwork made by John Singleton Copley? (© Autoriõigus - Metropolitani kunstimuuseumi autor - Metropolitani kunstimuuseum)

Mary Sherburne (1735–1799) was the daughter of Joseph Sherburne (23.143) by his marriage to Mary Watson in 1734. As her father's sole heir, she received a substantial fortune. In 1763, she married Jerathmael Bowers, a wealthy and prominent Quaker living in Swansea, Massachusetts. They had one son and three daughters. This portrait is based on a British mezzotint by James McArdell, after a portrait of Lady Caroline Russell painted by Sir Joshua Reynolds in 1759. Copley followed this model with precision, substituting the face of the sitter for that of Lady Russell. Tradition has it that the portrait was painted about the time of the sitter's marriage in 1763. The frame of the painting is thought to be the original.

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