John Vanderlyn, 1802 - proua Marinus Willett ja tema poeg Marinus, noorem - kaunite kunstide trükk

"Mrs. Marinus Willett and Her Son Marinus, Jr." painted by John Vanderlyn oma uue kunstikoopiana

In 1802 the,en mees ameerika kunstnik John Vanderlyn made this romanticist artpiece. The more than 210 aastat vana originaal tehti järgmise suurusega: 36 7/8 x 28 1/8 tolli (93,7 x 71,4 cm). Õli lõuendil kunstnik kasutas seda kunstiteose tehnikana. Kunstiteos kuulub Metropolitani kunstimuuseum art collection. With courtesy of The Metropolitan Museum of Art, New York, Bequest of George Willett Van Nest, 1916 (litsentsitud - üldkasutatav). : George Willett Van Nesti pärandus, 1916. Selle peal on joondamine portree formaat külgede suhtega 3: 4, which implies that the length is 25% shorter than the width. The painter John Vanderlyn was an artist from United States, whose artistic style was mainly Romanticism. The North American artist was born in 1775 in Kingston, Ulster county, New York state, United States and deceased at the age of 77 aastal 1852.

Üldteave Metropolitani kunstimuuseumist (© Autoriõigus - Metropolitani kunstimuuseum - Metropolitani kunstimuuseum)

The earliest American painter to train in Paris, John Vanderlyn learned well the lessons of French neo-classical painting and executed the finest portraits of his career just after his return home to New York. The commission to paint Margaret Bancker (1774-1867) and her toddler son probably came through Vanderlyn's patron, the statesman Aaron Burr, who was friendly with her husband, Colonel Marinus Willett (1740–1830; 17.87.1). Miss Bancker was Willett's third wife and the boy, named for his father, was born in 1801, the first of their five children. Vanderlyn's fascination with France can also be witnessed in his "Panorama of the Palace and Gardens of Versailles," also in the Museum's collection (52.184).

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Toote rippmenüü annab teile võimaluse valida eelistatud suurus ja materjal. Järgmised suurused ja materjalid on võimalused, mida pakume teile isikupärastamiseks:

• Trükitud akrüülklaas (peal tõeline klaasikate): A glossy acrylic glass print, which is sometimes denoted as a UV print on plexiglass, will change an original artwork into lovely décor. What is more, the acrylic art print is a viable alternative option to dibond and canvas prints. The artwork will be custom-made with state-of-the-art UV printing machines. The special effect of this are impressive and rich color tones. Our plexiglass with real glass coating protects your custom art print against sunlight and external influences for many more years to come.
• Lõuendi print: A printed canvas, not to be confused with a canvas painting, is an image applied on a canvas. A canvas has a exclusive effect of three dimensionality. Furthermore, a canvas print makes a attractive and positive appearance. Your canvas of your favorite artwork will give you the unique opportunity of turning your own into a large artwork as you would see in a gallery. Hanging a canvas print: Canvas Prints have the great advantage of being low in weight, meaning that it is easy to hang up the Canvas print without any wall-mounts. A canvas print is suitable for any type of wall.
• Alumiinium dibond (metalltrükk): These are metal prints on aluminium dibond with an outstanding depth effect. A direct Direct Print on Aluminum Dibond is the perfect introduction to art reproductions on aluminum.
• Plakat (lõuendi materjal): Our poster print is a printed flat canvas paper with a granular texture on the surface. It is particularly appropriate for placing your fine art print in a custom-made frame. Please note, that depending on the absolute size of the canvas poster print we add a white margin between 2-6cm around the print to facilitate the framing with a custom frame.

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Oluline teave: We try everything to depict the products as clearly as possible and to showcase them visually on the respective product detail pages. However, the tone of the printed materials and the print result might diverge marginally from the image on your screen. Depending on the settings of your screen and the condition of the surface, color pigments might not be printed 100% realistically. In view of the fact that the art reproductions are printed and processed manually, there might as well be slight variations in the size and exact position of the motif.

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